For instance, our current audio mixing took a very long time to settle on. We spent a lot of time listening to how different weapons sounded, for instance, as well as playing a lot of other games to see which types of treatments were most effective.Īnother huge factor was just iterating until we were happy. What have you done to make Spec Ops The Line excel in this area?įirst, we did a ton of research. We try to have a lot of dynamic moments like that to keep players on their toes.Īudio is a major part of creating a believable game world. The player falls down, barely catches himself with one hand, and has to fight off enemies by firing with one hand while he’s hanging there. After an RPG explodes nearby, the ground completely collapses beneath him. For instance, in some of the footage we’ve released you can see a scene where the player thinks he’s walking on solid ground, but it turns out that there’s a skylight underneath the sand. Aiming is more difficult, visibility is reduced, you can’t tell where grenades will land, you can’t communicate with your squad – it really shakes things up and adds a lot of tension and uncertainty to combat.Īnd, of course, we use it a lot in various scripted ways to add variety and showcase some big, impactful scenes. Sandstorms: When sandstorms sweep through, the whole dynamic of combat changes.

In these cases, you can shoot at the vent to let loose sand to stun enemies.

Sand Falls: Occasionally, you’ll see sand trickling from a vent or similar object in the ceiling. Sand Avalanches: Throughout the game, the player will have the opportunity to unleash mountains of sand on enemies by shooting out glass or destroying supports. In addition to the normal explosion it creates, it also kicks up a cloud of sand that blinds and stuns enemies to give you a brief tactical advantage. Grenades: Any time a grenade lands in the sand, it behaves a bit differently. In terms of gameplay, we do a few different things with it: How does sand play a part in the gameplay? Can you give a few examples of the scenarios players will experience.īasically, we wanted sand to be this constant presence without getting to the point where it turns into a gimmick. Unreal is an awesome piece of technology, but I think we really made it our own. We’ve done everything from improving the visuals to adapting the AI and weapon systems to implementing all the pieces we need for our sand systems. We’ve been tinkering with this thing for a few years now, and there aren’t too many corners we haven’t touched. You’re using Unreal Engine 3 – have you modified it to deliver the visuals you wanted for Spec Ops the Line?ĭefinitely.

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